Premiere of new collectively orchestrated version of Frederic Rzewski’s The People United WIll Never Be Defeated, commissioned by the New York Philharmonic, conducted by Gustavo Dudamel. March 12, 13, 14, 17, 2026, David Geffen Hall.
Mezzo-soprano Fleur Barron and the Parker Quartet perform the field remembers (2024) at National Sawdust in Brooklyn.
Ensemble Intercontemporain, conducted by George Jackson and curated by Nick Bentz, performs Enjamb, Infuse, Implode (2006) at London’s Wigmore Hall.
JACK Quartet performs the west coast premiere of Twice Removed, part of their Cal Performances debut at Hertz Hall, Berkeley.
Winsor Music premieres a new work on a program titled Lineage, and includes a collaboration with students from the Boston String Academy.
Premiere of a new work for piano solo (Gloria Cheng) + chamber orchestra (LA Phil New Music Group), conducted by Elim Chan. Walt Disney Concert Hall, Los Angeles.
BlackBox Ensemble, conducted by Leonard Bopp, performs Clocks for Seeing at the National Museum of Asian Art in Washington, DC.
BlackBox Ensemble, conducted by Leonard Bopp, performs Clocks for Seeing at National Sawdust in Brooklyn, part of a program curated by Baldwin Giang.
Miller Theatre Composer Portrait featuring performances by JACK Quartet, Claire Chase, Yarn/Wire, and Anthony Cheung.
Collage New Music, conducted by Jeffrey Means, performs Clocks for Seeing at the Longy School of Music’s Pickman Hall (Cambridge, MA).
Ensemble Dal Niente performs Windswept Cypresses (2005) as part of their residency at La Universidad Nacional Autónoma de México (UNAM).
Pianist David Kaplan performs Holding Patterns (2020) as part of his residency at Brown University.
Ensemble Dal Niente performs Windswept Cypresses (2005) at their Chicago season opener (“Hard Music, Hard Liquor”) at Constellation.
Yarn/Wire performs the European premiere of Tactile Values (2023) at the Transart Festival, Brixen/Bressanone, Italy.
JACK Quartet performs Twice Removed at the Santa Fe Chamber Music Festival.
Lincoln Center and the American Modern Opera Company (AMOC*) present the echoing of tenses (2022) at Alice Tully Hall, part of the Summer for the City/Run AMOC* Festival.
The Sound Ensemble performs Clocks for Seeing at Epiphany Parish of Seattle.
Two performances of “Well,” Miro Magloire’s evening-length ballet choreographed to the violin/piano music of Anthony Cheung, with the dancers of New Chamber Ballet and the Magpie Duo (Lauren Conroy and Matthew Schultheis).
JACK Quartet performs Twice Removed at Musikkollegium Winterthur (Stadthaus), Switzerland.
Percussionist Boldizsár Kovács performs Tactile Values (2003) as part of a Juilliard recital, with Ning Tie (percussion) and Matthew Schultheis + Felix Wen (keyboards).
JACK Quartet performs Twice Removed at Wigmore Hall, London.
JACK Quartet performs Twice Removed at the Pierre Boulez Saal, Berlin.
JACK Quartet performs Twice Removed at Lugano Arte e Cultura.
The Sound Ensemble performs Clocks for Seeing at the Hengst Art Studio, Seattle.
BlackBox Ensemble performs Enjamb, Infuse, Implode (2006) as part of their program Dialogues in Duality in Brooklyn.
East coast premiere of pulsate, fixate for solo flute (2024), on the NY Phil's Sound On series, curated by John Adams.
Ways of Undoing for horn and viola quintet premieres at the Sounds of US Festival at the Kennedy Center, with Robert Reardon and NSO Youth Fellows.
Mezzo-soprano Fleur Barron and the Parker Quartet tour a new work setting the poetry of Victoria Chang and Arthur Sze. Harvard (Nov. 15), Philadelphia (Nov. 20), Syracuse (Nov. 23).
BMOP (cond. Gil Rose) premieres "Volta" for orchestra at Brown University's Lindemann Performing Arts Center, part of the 21st-Century Orchestra residency.
Pianist David Kaplan performs Holding Patterns, written for him in 2020, part of a program titled “Quasi una fantasia” at the Ravinia Festival.
Talea Ensemble performs Clocks for Seeing (2023) at the Bowdoin International Music Festival, part of the Gamper Festival of Contemporary Music.
Solo and duo set on keyboards, with Zeena Parkins, harp. Part of the Yarn/Wire International Institute performances at the DiMenna Center, NYC.
