Ensemble Dal Niente performs Windswept Cypresses (2005) as part of their residency at La Universidad Nacional Autónoma de México (UNAM).
Pianist David Kaplan performs Holding Patterns (2020) as part of his residency at Brown University.
Ensemble Dal Niente performs Windswept Cypresses (2005) at their Chicago season opener (“Hard Music, Hard Liquor”) at Constellation.
Yarn/Wire performs the European premiere of Tactile Values (2023) at the Transart Festival, Brixen/Bressanone, Italy.
JACK Quartet performs Twice Removed at the Santa Fe Chamber Music Festival.
Lincoln Center and the American Modern Opera Company (AMOC*) present the echoing of tenses (2022) at Alice Tully Hall, part of the Summer for the City/Run AMOC* Festival.
The Sound Ensemble performs Clocks for Seeing at Epiphany Parish of Seattle.
Two performances of “Well,” Miro Magloire’s evening-length ballet choreographed to the violin/piano music of Anthony Cheung, with the dancers of New Chamber Ballet and the Magpie Duo (Lauren Conroy and Matthew Schultheis).
JACK Quartet performs Twice Removed at Musikkollegium Winterthur (Stadthaus), Switzerland.
Percussionist Boldizsár Kovács performs Tactile Values (2003) as part of a Juilliard recital, with Ning Tie (percussion) and Matthew Schultheis + Felix Wen (keyboards).
JACK Quartet performs Twice Removed at Wigmore Hall, London.
JACK Quartet performs Twice Removed at the Pierre Boulez Saal, Berlin.
JACK Quartet performs Twice Removed at Lugano Arte e Cultura.
The Sound Ensemble performs Clocks for Seeing at the Hengst Art Studio, Seattle.
BlackBox Ensemble performs Enjamb, Infuse, Implode (2006) as part of their program Dialogues in Duality in Brooklyn.
East coast premiere of pulsate, fixate for solo flute (2024), on the NY Phil's Sound On series, curated by John Adams.
Ways of Undoing for horn and viola quintet premieres at the Sounds of US Festival at the Kennedy Center, with Robert Reardon and NSO Youth Fellows.
Mezzo-soprano Fleur Barron and the Parker Quartet tour a new work setting the poetry of Victoria Chang and Arthur Sze. Harvard (Nov. 15), Philadelphia (Nov. 20), Syracuse (Nov. 23).
BMOP (cond. Gil Rose) premieres "Volta" for orchestra at Brown University's Lindemann Performing Arts Center, part of the 21st-Century Orchestra residency.
Pianist David Kaplan performs Holding Patterns, written for him in 2020, part of a program titled “Quasi una fantasia” at the Ravinia Festival.
Talea Ensemble performs Clocks for Seeing (2023) at the Bowdoin International Music Festival, part of the Gamper Festival of Contemporary Music.
Solo and duo set on keyboards, with Zeena Parkins, harp. Part of the Yarn/Wire International Institute performances at the DiMenna Center, NYC.
Pianist Szuyu Su premieres in place, at hand, a commission from Music Academy of the West.
Seattle Modern Orchestra performs the west coast premiere of Clocks for Seeing (2023) at Meany Studio Theater at Meany Hall, part of a residency at the University of Washington School of Music.
The International Contemporary Ensemble (ICE) performs Bagatelles (2014) as part of the Janet and Arthur Ross Rome Prize Ceremony and Concert, at Carnegie’s Weill Recital Hall.
The IU New Music Ensemble, conducted by David Dzubay at Indiana University’s Jacobs School of Music, performs Parallel Play (2022) for large ensemble.
Denis Bouriakov, principal flute of the LA Philharmonic, premieres pulsate, fixate at Walt Disney Concert Hall, part of the LA Phil Etudes project and the Green Umbrella series, curated by John Adams.
The Score Collective ensemble of the Conservatorium van Amsterdam performs Twin Spaces, Intertwined (2015) at TivoliVredenburg in Utrecht.
The premiere of “Well,” Miro Magloire’s evening-length ballet choreographed to the violin/piano music of Anthony Cheung, with the dancers and musicians of New Chamber Ballet.
