Peter Reynolds, Tempo

“Cheung belongs to a generation that moves freely between live performance and music technology; in the opening concert, given by the New York-based Talea Ensemble, we heard his SynchroniCities (2012). Drawing on field recordings of things ‘that interested him’, to form a ‘sonic travelogue’ in constant dialogue with live instruments, the resulting piece was full of fascinating novel sounds and textures presented in a traditional context.”