Joshua Kosman, San Francisco Chronicle

"These are gritty, inventive and wonderfully assured works that blend American wit and sentiment with the fearless abrasiveness of European modernism — a combination that meshes more smoothly than you might imagine. “Fog Mobiles” for horn and orchestra, for instance, is a Bay Area memory piece channeled through a rigorous, hard-scrubbed approach to instrumental timbre, and the title work — an expansive and endlessly surprising piano solo superbly played by Ueli Wiget — offers a range of rhythmic and textural strategies. But the most fascinating piece here is “Hyperbaton,” which explodes into being and then patiently and quite movingly works through the implications of its own birth.”